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CW: Sexual violence, femicide

The Mad Max film series is mostly excellent but undeniably weird. The first in the series, Mad Max, is a cheaply, yet inventively, made exploitation film starring baby faced Mel Gibson and featuring eye-popping vehicular stunts. Its sequel, Mad Max 2: The Road Warrior, is unremittingly badass at every opportunity, topping the previous film with features such as a back-flipping feral kid who murders fools with a boomerang. It defined the punk aesthetic post-apocalyptic imagery that is now commonplace in the genre and is accurately cited as reaching peak Maxitude (at least until this year). The third in the series is Mad Max Beyond Thunderdome, which is, unfortunately, a disappointment. It’s haphazardly structured with an odd family friendly tone, only benefiting from the visual brilliance in its lavish sets and from starring Tina Turner. She is every bit as awesome as you would expect and arguably sets the precedent for great female characters in the series.

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The summer blockbuster season is nearly over and once again, something is few and far between. Where are our female leads?

This is an absurdly fair question. Blockbusters make supreme dents on our pop-cultural consciousness, and our pop culture is a reflection of the society and cultures we exist in. Women are half the world’s population, so it stands to reason that approximately half the big movies should be equipped with female leads. But they’re not.

Why?